I am certain that there is no other book I’ve been asked to review more times than William P. Young’s The Shack, a book that is currently well within the top-100 best-selling titles at Amazon. The book, it seems, is becoming a hit and especially so among students and among those who are part of the Emergent Church....A search of blogs and websites turns up near-unanimous enthusiastic (and almost unbridled) praise for the book. “This book is a life-changer, a transformer.” “[The Shack] has become a favorite book OF ALL TIME.” “I am changed. I pray indelibly. My oh my!” This book, which was released in May but which has already gone into its fourth printing, is making a major impact. It has obviously struck a chord with Christians.
There are two things I would like to note about this type of book—theological fiction. First, because of the limitations of the genre, it is sometimes difficult to really know what an author means by what he says. There is often some question as to what comes from the author and what comes from the characters. The author cannot always adequately explain himself; nor can he provide footnotes or references to Scripture. It can be challenging, then, to turn to the Bible to ensure that what he teaches is true. This makes the task of discernment doubly difficult, for one must first interpret the fiction to understand what is being said and then seek to compare that to the Bible. We will do well to keep this in mind as we proceed.
Second, we must also realize that, because of the emotional impact of reading good fiction, it can be easy to allow it to become manipulative and to allow the emotion of a moment to bypass our ability to discern what is true and what is not. This is another thing the reader must keep in mind. We cannot trust our laughter or our tears but must allow our powers of discernment to be trained to distinguish good from evil (see Hebrews 5:14). Discernment is primarily a Spirit-empowered discipline of the mind rather than an emotional response.
First, a word about the book as it is written. William Young shows himself to be a capable writer, though I would not have believed it through the first couple of chapters. The book began with far too many awkward sentences and awkward sentence constructs (e.g. “One can almost hear a unified sigh rise from the nearby city and surrounding countryside where Nature has intervened to give respite to the weary humans slogging it out within her purview”). But as it went on and as the story took over the book became easier to read. The story itself is interesting enough, though certainly it lacks originality. The last chapter should have been left on the editing room floor and the final paragraph (before the “After Words”) was a ridiculously terse attempt to provide closure to remaining plot lines. But on the whole the book is readable and enjoyable. Never does it become boring, even after long pages of nothing but dialog.
But Young did not write this book for the story. This book is all about the content and about the teaching it contains. The book’s reviews focus not on the quality of the story but on its spiritual or emotional impact. Eugene Peterson grasps this, saying in his glowing endorsement, “When the imagination of a writer and the passion of a theologian cross-fertilize the result is a novel on the order of “The Shack.” This book has the potential to do for our generation what John Bunyan’s “Pilgrim’s Progress” did for his. It’s that good!” Could it really be that good? Is it good enough to warrant positive comparison to the English-language book that has been read more widely than any other save the Bible? Let’s turn to the book’s content and find out.
Read it
all here
